Movies

Looks horrible. The 1st Spartacus stunk as well. Had a Māori playing a Gaul. Revisionist Jewish history.
 
I heard they struck again with the new Robinhood series. Friar John is Friar Lil John. They ruin everything. Now even period pieces aren’t safe.
 
I mostly watch movies from the '80s and '90s, comedies in particular. A 1982 movie I recently watched that I hadn't seen for a long time is 48 Hours starring Nick Nolte and Eddie Murphy. This movie helped turn Murphy into a superstar and he eventually bonds with Nolte in the ebony and ivory way Hollywood always loves.

But Nolte's character is such a throwback it's startling to watch now. He plays a San Francisco cop who needs Murphy's character to help him track down some stolen money, so Murphy is freed from prison for 48 hours but has to tag along with Nolte. There are the usual absurd plot tangents such as San Fran having an all-White redneck bar replete with Rebel flags and whose customers and bartender Murphy easily humiliates. Not exactly a realistic bar even in 1982 SF. Another note is that the denizens of San Francisco are still mostly White. There's been a lot of movies set in San Francisco over the years and it's easy to trace the revolutionary demographic and cultural changes that have occurred by viewing such movies.

Nolte's character, "Jack Cates," regularly directs racial slurs towards Murphy's "Reggie Hammond" including calling him the dreaded n-word. Nobody bats an eye. Jack is also gruff with his girlfriend, and female characters are anything but bowed down to the way they usually are now. He's macho in a way that would be called cartoonish today. Since 1982 strong masculinity has been eliminated in White male characters unless they're criminals or bad guys of some sort, and now there seems to be few if any White leading men left except those much more effete than Nolte in his prime.

James Remar plays a convincing villain in 48 Hours, named Ganz. I checked and turns out he has a Russian Jewish father. Big surprise there to discover another Jewish actor. The other bad guy, Ganz's henchman, is a large, menacing Indian (American Indian, not one from our new India-derived overclass) played by Sonny Landham. Landham later became associated with the Council of Conservative Citizens, a national openly pro-White organization that was strong in the South, and I met him at a CofCC convention in 2010. Landham died in 2017.

It's like looking at a time capsule to watch movies like these that show just how quickly and effectively the Permanent Cultural Communist Revolution operates.
 
I mostly watch movies from the '80s and '90s, comedies in particular. A 1982 movie I recently watched that I hadn't seen for a long time is 48 Hours starring Nick Nolte and Eddie Murphy. This movie helped turn Murphy into a superstar and he eventually bonds with Nolte in the ebony and ivory way Hollywood always loves.

But Nolte's character is such a throwback it's startling to watch now. He plays a San Francisco cop who needs Murphy's character to help him track down some stolen money, so Murphy is freed from prison for 48 hours but has to tag along with Nolte. There are the usual absurd plot tangents such as San Fran having an all-White redneck bar replete with Rebel flags and whose customers and bartender Murphy easily humiliates. Not exactly a realistic bar even in 1982 SF. Another note is that the denizens of San Francisco are still mostly White. There's been a lot of movies set in San Francisco over the years and it's easy to trace the revolutionary demographic and cultural changes that have occurred by viewing such movies.

Nolte's character, "Jack Cates," regularly directs racial slurs towards Murphy's "Reggie Hammond" including calling him the dreaded n-word. Nobody bats an eye. Jack is also gruff with his girlfriend, and female characters are anything but bowed down to the way they usually are now. He's macho in a way that would be called cartoonish today. Since 1982 strong masculinity has been eliminated in White male characters unless they're criminals or bad guys of some sort, and now there seems to be few if any White leading men left except those much more effete than Nolte in his prime.

James Remar plays a convincing villain in 48 Hours, named Ganz. I checked and turns out he has a Russian Jewish father. Big surprise there to discover another Jewish actor. The other bad guy, Ganz's henchman, is a large, menacing Indian (American Indian, not one from our new India-derived overclass) played by Sonny Landham. Landham later became associated with the Council of Conservative Citizens, a national openly pro-White organization that was strong in the South, and I met him at a CofCC convention in 2010. Landham died in 2017.

It's like looking at a time capsule to watch movies like these that show just how quickly and effectively the Permanent Cultural Communist Revolution operates.
Sonny Landham was great in Predator, possible the most masculine film ever.
 
Sonny Landham was great in Predator, possible the most masculine film ever.
That brings to mind Stone Cold, starring Brian Bosworth who infiltrates a violent biker group which ends up slaughtering the entire Mississippi supreme court among other murders. A macho film with covert pro-White vibes, it came out in 1991 and has since been flushed down the system's memory hole.
 
Good mentions will actually go out of my way to watch those.

Going back to the new “Spartacus” show. This Historian is always debunking period shows and their accuracy. Worth a view. He’s very critical, but I appreciate him pointing out finer details.
 
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That brings to mind Stone Cold, starring Brian Bosworth who infiltrates a violent biker group which ends up slaughtering the entire Mississippi supreme court among other murders. A macho film with covert pro-White vibes, it came out in 1991 and has since been flushed down the system's memory hole.
That’s a great one, I need to watch it again. They Live! is another good one.
 
The schools, colleges, tv, and movies, magazines - are training the youth of America to be little bolshevik terrorists. No doubt they are showing them Soviet propaganda movies like Eisenstein's "Battleship Potemkin". Here are two Russian movies that were both made in 1992 after the fall of communism that they should be showing but of course they won't, ever:

"Russia What We Have Lost" - shows how the Bolsheviks mass murder of the the best people of Russia - tens of millions - even diminished the height of the average Russian in 1992 compared with pre 1917 - and for the first time in the Russian mass media the movie revealed that the Bolshevik icon, Vladimir Lenin, was also Jewish and in fact spoke Yiddish at home. This was maximum top secret in the USSR for many years.

Brief bit:



The second movie is another 1992 Russian movie, made after the fall of communism, depicting in brutally stark realism the greatest evil in the history of the world which is communism which exterminated countless tens of millions of people in Russia alone, and they were the finest and bravest and most intelligent and most beautiful and the very best people. You can be sure they will never show this movie in the transgendered bolshevik training academies that they call schools and colleges in the USA, and this bolshevism is just what they are training their rabid 18 year old Antifa terrorists to want to bring here now!.

"Chekhist"


Good post !

Do you have any personal connection to Russia ? I have been living in Russia since 2012.

Moscow does not believe in Tears is a classic.

Brat 1 Brat 2 are worth watching.
 
Good post !

Do you have any personal connection to Russia ? I have been living in Russia since 2012.

Moscow does not believe in Tears is a classic.

Brat 1 Brat 2 are worth watching.
the poster you are replying to, werewolf, passed away. may he shelter in the Creator’s hand.
 
Good post !

Do you have any personal connection to Russia ? I have been living in Russia since 2012.

Moscow does not believe in Tears is a classic.

Brat 1 Brat 2 are worth watching.
 
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