Reiner did not act the part of "Meathead". What we saw is what he truly believed. For the past 40 years Reiner spoke out publically against Christianity, against America, and especially against Whites and White culture. Reiner hated Whites. Reiner identified as a Jew not as White. Reiner did Satan's work in exchange for whatever pittance Satan afforded him. Reiner used to say "All I want is what is coming to me." And he got what was coming to him.
Archie Bunker is a Caste follower
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white is right
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Yes Reiner was into whatever hippy leftist cause was the flavor of the month.
I would say his son was a vessel for evil forces, I had issues with my mother over the years but once her health waned all of these issues ended but his crazy son harbored deep seated hate that manifested with a probable sneak attack on one or both parents.
I think this murder will spur hiring of armed security services similar to the panic in Hollywood after the Sharon Tate murder 55+years ago.
From what I read about Reiner he and his wife were absorbed in their work and ignored the deep seated character flaws of their disturbed son. Also when hundreds of dollars are the equivalent of spare change in the sofa his son could indulgence himself on drugs and pleasures of the flesh without anybody noticing the missing money.
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knightedsoldier5000
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I saw a clip of this the other day after the murders and I can't remember where I saw it, but it's so shockingly vile it makes me wonder if the son had legit reasons for what he did.
Disgusting creep Al Franken 'jokes' about child rape in the Reiner family while Reiner and the audience laugh hysterically.
Disgusting creep Al Franken 'jokes' about child rape in the Reiner family while Reiner and the audience laugh hysterically.
Putting aside it's sickeningly vile nature, there's nothing remotely funny about Franken's routine. Maybe it was some kind of humiliation ritual as some of the comments on YouTube mention.
"Comedy" in general is increasingly unfunny, not just the extreme left propagandists like Colbert and Kimmel but even the supposedly right wing Greg Gutfeld, who relies on dirty and pervy jokes too much. I tuned in the beginning of his show last night and the audience didn't laugh at any of his jokes and Gutfeld seemed like he wanted to be anywhere but on set.
"Comedy" in general is increasingly unfunny, not just the extreme left propagandists like Colbert and Kimmel but even the supposedly right wing Greg Gutfeld, who relies on dirty and pervy jokes too much. I tuned in the beginning of his show last night and the audience didn't laugh at any of his jokes and Gutfeld seemed like he wanted to be anywhere but on set.
Leonardfan
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Richard Belzer was jewish, Reiner was jewish and franken is jewish. Many of the "comedians" that initially pushed the vulgarity, perversion and degneracy in the 50s and 60s were.
I can answer this carefully and respectfully, but I want to reframe the wording a bit so we’re talking about the historical comedy movement, not labeling people themselves.
In the 1950s–60s, a number of Jewish comedians were pioneers of taboo-breaking, sexually frank, dark, or transgressive humor—often pushing against censorship, social conservatism, and polite “Catskills” comedy. This was hugely influential on modern stand-up.
Below is a historically grounded list of the main figures associated with that shift. It’s not literally “all,” but it covers the most important and relevant names.
Major Jewish Comedians Who Pushed Taboo / Transgressive Humor
(1950s–1960s)
Lenny Bruce (Most Important)
- The central figure
- Openly discussed:
- Sex
- Religion (including Judaism)
- Obscenity laws
- Racism and hypocrisy
- Arrested multiple times for obscenity
- Basically invented modern “confessional” and confrontational stand-up
Without Lenny Bruce, modern edgy comedy does not exist.Mort Sahl
- Political, cynical, anti-establishment
- Talked openly about hypocrisy, power, and social lies
- Not sexual in a crude way, but subversive and corrosive
- Influenced George Carlin and Woody Allen
Shelley Berman
- Neurotic, psychologically revealing monologues
- Sexual anxiety, marital tension, social discomfort
- Less obscene, but emotionally invasive for the era
- Early move toward comedy about inner dysfunction
Woody Allen (Early Stand-Up Era)
- Strongly Jewish identity in material
- Sexual neurosis, impotence jokes, guilt, taboo desire
- Pushed what could be discussed openly on stage
- Very influential on “intellectual” and self-degrading humor
Totie Fields
- Self-deprecating, body-focused, sexually frank
- Pushed boundaries around women’s bodies and desire
- Not obscene per se, but very raw for her time
Dick Gregory (Not Jewish, but relevant context)
- Included for comparison: broke racial taboos the way Bruce broke sexual/religious ones
- Often worked in the same clubs and circuits
Proto-Influences / Adjacent Figures
Sid Caesar (TV sketch context)
- Pushed innuendo and absurd sexuality past censors
- Writers’ room included Mel Brooks, Neil Simon, Larry Gelbart
Mel Brooks (Late 60s transition)
- Films rather than stand-up
- Sexual absurdity, vulgarity, Jewish parody
- Took Bruce’s permission structure into mainstream comedy
Important Context
- Many of these comedians:
- Came out of Jewish immigrant culture
- Used humor as a way to attack authority and shame
- Reacted against 1950s American moral rigidity
- What was considered “perverse” then is often mild now—but at the time it was shocking
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In the 1960s, there were what were called "Negro comedians." Dick Gregory was the most famous.
I remember when I was very young watching The Ed Sullivan Show, which was a very popular one-hour Sunday night staple for many years, and there would regularly be comedians on it telling "dumb Polack" jokes. Polack of course is a slur referring to Polish people. They would repeatedly use the word "Polack" and sometimes entire routines were based on "Polack" jokes. I was way too young to be racially aware then but would be willing to bet that it was nothing but Jewish comedians telling those jokes.
Off on a tangent a bit, but the Beatles went on The Ed Sullivan Show for three consecutive weeks early in 1964 and it was a huge event, replete with the screaming girls in the audience that for years were a fixture everywhere the Beatles went. This was just a few weeks after the JFK assassination and it served as a way to help the country get over some of the trauma of the assassination and the national grieving that went with it, an event which still reverberates very strongly today given that in retrospect it was a coup to forcefeed the Permanent Cultural Communist Revolution and the rest of the anti-White, globalist agenda on Americans and the West.
Off on a tangent a bit, but the Beatles went on The Ed Sullivan Show for three consecutive weeks early in 1964 and it was a huge event, replete with the screaming girls in the audience that for years were a fixture everywhere the Beatles went. This was just a few weeks after the JFK assassination and it served as a way to help the country get over some of the trauma of the assassination and the national grieving that went with it, an event which still reverberates very strongly today given that in retrospect it was a coup to forcefeed the Permanent Cultural Communist Revolution and the rest of the anti-White, globalist agenda on Americans and the West.
white is right
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I recall seeing Bob Hope getting laughs with an Italian immigrant jokes about spicy food and being dumb and ignorant but even in this era racist jokes against certain golden cows were out. I seem to recall reading about Amos and Andy being pulled off the air because of civil rights protests by the NAACP.
These days only rural Whites/rednecks are punching bags and to a lesser extent Italian Americans with Sopranos type stereotypes and Irish Americans for excessive drinking but that might be dying out too.
Maybe Reiner had a W in front of his name and used it with his son? Maybe his son saw this facrce for comedy and seeing his father laugh it enraged him and this time gave his father the pistol?
