It was in the early 1970s that Cultural Marxism began to be pushed hard on TV shows. "All in the Family" was a landmark show that was profoundly effective in demonizing blue-collar White men as hopelessly stupid and backward bigots. That was when the counter-culture was at its peak -- as William F. Buckley aptly observed, what's thought of as the "1960s" was actually from 1964 to 1974. By the mid-'70s White resistance to the Permanent Cultural Marxist Revolution was pretty much snuffed out. From then on, the system began pushing communist feminism in a huge way, followed by our current era of the homosexualization of U.S. "culture" with its manly women and womanly men.
The sit-coms of the 1960s were pretty much non-political, which is why so many of them are still popular and are vastly superior to the Cultural Marxist crap found on the idiot tube ever since then.
Absolutely and W.F.B. was entirely correct on "the 60's" effectively being from those span of years since the CM media like to conflate the so-called "Women's Movement" from the early 70's with the other Cult Marx movements of the 60's. The previously-mentioned "Maude", "One Day at a Time", "Rhoda", and, who (alive in that era) could forget "The Mary Tyler Moore Show" and it's theme song with the coda
"We're going to make it after all." Who and what does she mean by "We're"?
The sitcoms of that era, in particular, were rife with a politically-oriented CM agenda while today they've degenerated into more of a "gender raunch" variety. In fact, it's hard to remember a single sitcom back then that wasn't infused with it. However, for other genres, like family dramas, "The Waltons" ran from 1971-1981 and "LHONTP" ran from 1974-1983. In addition to those conservative family dramas, there were many "Private Eye" shows that either featured a strong and/or intelligent and/or charming alpha White male character in the lead, including "Mannix", "Kojak", "Columbo", "Hawaii-Five O", "The Streets of San Francisco", "Cannon" (bald fat man), "Barnaby Jones" (old White man (unbelievable today)), "Rockford Files", "Vegas", etc. By the early 1980's these were pretty much only found only in syndication, if at all. "Magnum P.I." was CM-free, but it started in 1980. And "Dallas" was CM-free prior to 1983, but not after.
I intended my remark about 1982 to be more about that year being the
last year that a program could really exist that was not infused with some form of CM. After that year, for all practical purposes, forget it, with maybe a few notable exceptions..."MacGyver" (1985-1992) and "Airwolf" (1984-1986) come to mind, although I never really watched them much.
Clint Eastwood took some serious flak with the media with his 1983 Dirty Harry movie "Sudden Impact" because he dared to include a scene portraying blacks as criminals and his character's violent solution to their criminality.
For his next Dirty Harry movie, "The Dead Pool", Whites were the only criminals. In the first "Die Hard" movie in 1988, the villains were "White supremacists", in "Aliens" from 1986 the protagonist was a heroine bucking and giving orders, and ultimately defeating the alien.
Anyway, to get back to South Park, Paleocon is spot-on about the "bad guy" (a kid) in SouthPark being the one with the politically incorrect views (must be flawed to have those kind of views.) And talking about "subversive messages" in cartoons and other "children's programming", you have to look no further than Saturday mornings on ABC, Nickelodeon, and the ABC Family Channel. In addition, I've noticed it on the Cartoon Network as well. Many parents still think that "it's just a cartoon", so they let their kids watch it for hours on end, when instead it is deliberately placed propaganda with the intention of forming the young minds of children at an age when they are particularly susceptible to the power of suggestion.
