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Be right back, going out to pillage for a bit!!
I don't know how many of the younger posters here, and by younger I mean under the age of 40, know that there was a thriving White Power music scene in the U.S. (and Canada) in the 1990s. There was a time in the '80s and '90s when having a shaved head meant something; now it seems like every third White guy has gone bald. That means of identification, like so many others when it came to dress, hair length or lack thereof, and general lifestyle, has disappeared into the mass void of pseudo-rebellious conformity that marks the current age. Half of women have tatts, how non-conformist, what rebels lol!

Kind of scary that, as with so many other markers of the not so long ago past, I am now kind of an authority on the post WWII right wing in this country.

Bound for Glory was a White Power band based in Minnesota. Like the others, they played for free, out of their sense of nationalism and patriotism rather than for material gain. There were a number of others, but now that scene if it still exists is based almost solely in Europe.

There was a lot of groups at one time and a lot of good songs. Skrewdriver is the best known. It's raw, unpolished, unapologetic music. Some of the songs are surprisingly available on YouTube but not most of the ones I liked back in the day.





 
Adding both to my workout playlist. Appreciate the short history lesson!

I knew a few older White kids that were into the White power punk scene. They were burnouts, that lived in “dieverse” part of town. They had a crew of 20-30 people though, including girls. Always throwing pre and after parties between concerts they attended. Weren’t afraid to mosh pit.

They definitely stood out in the way they dressed. You are right about the conformity now when it comes to appearance, and yes everyone has a tattoo now. It’s cheesy. Big reason why I stopped after a few.

I remember having 2 older female cousins. One was a goth. Straight Marilyn Manson look. Thank god she’s moved on to a more rocker chick look.

The other dressed like Garth Brooks. LOL

Ah the late 90s man.

From my understanding punk always had a neo Nazi faction correct? The other half commie punk. Looks like the commie punk won out and led to the WN downfall in 90s.

For past 35 years it’s been rap. Thankfully that era seems to be shifting!


 
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Adding both to my workout playlist. Appreciate the short history lesson!

I knew a few older White kids that were into the White power punk scene. They were burnouts, that lived in “dieverse” part of town. They had a crew of 20-30 people though, including girls. Always throwing pre and after parties between concerts they attended. Weren’t afraid to mosh pit.

They definitely stood out in the way they dressed. You are right about the conformity now when it comes to appearance, and yes everyone has a tattoo now. It’s cheesy. Big reason why I stopped after a few.

I remember having 2 older female cousins. One was a goth. Straight Marilyn Manson look. Thank god she’s moved on to a more rocker chick look.

The other dressed like Garth Brooks. LOL

Ah the late 90s man.

From my understanding punk always had a neo Nazi faction correct? The other half commie punk. Looks like the commie punk won out and led to the WN downfall in 90s.

For past 35 years it’s been rap. Thankfully that era seems to be shifting!



LIKE! Maybe all those mumbling morons finally killed the genre, as it has devolved decade after decade since the 90s and 00s when there was some genuinely creative artists. These days, I've really only listened to Tom McDonald, Burden and a few other non-woke or pro-White rappers.
 
From my understanding punk always had a neo Nazi faction correct?
Absolutely, and it was roughly balanced between the Nazi skins and their opponents for a good period of time, if anything skewed in favor of the White racialists. Skinheads were almost always regarded as White racists though there was also left wing skins known as "sharps" (Skinheads Against Racial Prejudice). Antifa was around and other far left scum, but for the most part skinhead bands held a lot of concerts with few encountering any problems, just as politically the Populist Party, which I was the head of, rarely encountered serious conflicts with the far left. If you've seen "American History X" the music gatherings were kind of like the fictionalized concert in that movie.

The best known bands were based both in the U.S. and England. England was where Skrewdriver, fronted by Ian Stewart, originated along with others such as Brutal Attack and No Remorse. They would often cross the pond and play in the U.S. at concerts attended by a few hundred attendees, while Bound for Glory and other North American bands like Berserkr would likewise journey to the UK and play. It was all very low budget and the band members were working class toughs, battle hardened and always ready to fight. Sadly Ian Stewart died in a car crash in 1993 and that was a heavy blow to the scene but not a fatal one.

As is usually the case, the skinhead music scene here in America grew in large part thanks to the efforts of one man, in this case George Burdi, a young Canadian who early on went by the name George Eric Hawthorne. Berserkr was Burdi's band and it was the most musically accomplished of all of them, especially their second CD, can't think of the name of it right now. More importantly, Burdi founded Resistance Records, which was incorporated in Michigan and run by he and some American comrades. They put out a professionally produced magazine for several years called Resistance and promoted and sold White Power music through it and other means.

At some point in the mid-1990s, Resistance Records was raided by Michigan authorities on the pretext of not paying Michigan state sales tax. Even though it was a dynamic movement it was, as always with the right wing, greatly underfunded compared to the establishment and the bottomless well of funds it could draw from. The amount owed wasn't much but the authorities had come down on them with the threat of more to come.

I don't know all the details as I wasn't close to Burdi and others, but whether it was the raid and/or other factors, Burdi, the founding father and prime mover, decided to get out and Resistance Records was then sold to the National Alliance, founded and run by William Pierce. Burdi never explicitly denounced the "movement" but the last I read about him he had an Indian girlfriend (from India) and was playing mainstream type music, so he did sell out but not to the extreme some have over the years.

Resistance Records was still doing relatively well under that arrangement as Pierce through patient effort over many years had built up the National Alliance to several thousand paid members, vetted for quality, and was able to sell a lot of Resistance Records CDs, but in 2002 he contracted cancer and died within a few weeks. As Pierce died so quickly and didn't name a successor, a very very vicious battle erupted over control of the National Alliance following his death. Eric Gliebe ended up in control, but those who had lost out never accepted him and he was attacked mercilessly. Gliebe had been an amateur boxer who fought under the name "The Aryan Barbarian."

I knew Gliebe and he had helped me set up a Populist Party meeting in Cleveland where he then lived and I never had any problems with him only positive things to say, but I was never an NA member and had no dog in what was an incredibly vicious fight fought mainly through the internet in its early days. Gliebe ended up marrying a former Playboy playmate and among the complaints against him were that he was more interested in partying than continuing the NA as set up by William Pierce. From several thousand members the NA was reduced to a hundred or so after years of non-stop attacks and lawsuits. Eventually Will Williams ended up as the head of the NA, and he's someone I met and have known for many years as a man of integrity and he helped rebuild the National Alliance a great deal from its nadir, though Will is now well into his 70s and I'm not on top of where things stand with that organization today.

While the National Alliance was declining into irrelevance during the many years of infighting, it sold Resistance Records to Willis Carto, reportedly for a quarter million dollars. As with just about everything he touched, Carto quickly ruined what was left of Resistance Records and what it stood for. As an aside, Carto and I were bitter enemies for years as he tried to destroy the Populist Party after I led it to become the fourth largest political party in the country after the two monopoly parties and the Libertarian Party. Carto was a secretive and very divisive figure in the far right for half a century and he had quite the enemies list, Mark Weber and I being atop it in this century, but I also have friends who are Carto defenders which is why I won't go into any more details and besides it's irrelevant to the greater point that Resistance Records and the White Power music scene died once Carto bought what was left of it.

I believe there are still some outlets selling White Power music but sadly it's a shell of what it once was.

An example of Resistance magazine:

1-Resistance magazine.jpg
Ian Stewart of Skrewdriver (1957-1993), no one to trifle with:

1-Ian Stewart.jpg
 
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