Charles Martel
Hall of Famer
- Joined
- Mar 14, 2007
- Messages
- 8,484
Alfred Hitchco*k
Ingmar Bergman
John Huston
Andrey Tarkovskiy
William Wyler
John Ford
Ridley Scott
Robert Wise
Michael Curtiz
Carol Reed
Clint Eastwood
David Lean
Wolfgang Peterson
Frank Capra
Steven Soderburgh
Terrence Malick
DW Griffith
Sam Wood
Ron Howard
Orson Welles
Many directors do their own screenwriting, usually adapted from someone else's book.
I don't enjoy their work of some directors who are highly regarded, such as Herzog, Carpenter, Cameron and Tarantino.
I rate a Jewish director William Wyler higher than John Ford because movies like Ben-Hur and Friendly Persuation are better than historically inaccurate anti-white garbage like Ford's Cheyenne Autumn.
However, I do include Ford on the list because much of his work in the 30s, 40s and 50s was excellent.
Although there are exceptions like Wyler and Curtiz who didn't seem to have an agenda to undermine western values, there are many Jewish directors and screenwriters who have clearly had an anti-white agenda.
Some like Stanley Kubrick have been technically very good directors, but the degradation of Europeans/white people comes through in all their work (in Stephen King's book The Shining the lead character was a decent family man who went insane when posessed by a demon, in Kubrick's movie the Nicholson character was a cruel abusive creep).
Others are just mediocre (while still undermining white society) such as Sam Fuller (Pickup on 42nd Street, which portrayed a sleezy pickpocket as being smarter than the FBI agents), or Fritz Lang (who in M portrayed the police as incompetent fools while criminals were portrayed as intelligent and honorable and caught the child murderer).
Some of the Jewish directors and producers of the 60s, 70s and 80s such as Ted Post, William Friedkin, Stanley Kubrick and Michael Winner "stretched the boundaries" of what was considered acceptable. They brought movies to a new level of explicit violence and tasteless language (examples: William Friedkin in The French Connection & The Exorcist, and Stanley Kubrick in The Clockwork Orange). By the 80s through to the present, non-Jewish directors like Luc Besson (Leon: The Professional) followed their example.
It puzzles me why less competent directors such as the homosexual Roland Emmerich work on big-budget movies which end up being panned by the critics.
Ingmar Bergman
John Huston
Andrey Tarkovskiy
William Wyler
John Ford
Ridley Scott
Robert Wise
Michael Curtiz
Carol Reed
Clint Eastwood
David Lean
Wolfgang Peterson
Frank Capra
Steven Soderburgh
Terrence Malick
DW Griffith
Sam Wood
Ron Howard
Orson Welles
Many directors do their own screenwriting, usually adapted from someone else's book.
I don't enjoy their work of some directors who are highly regarded, such as Herzog, Carpenter, Cameron and Tarantino.
I rate a Jewish director William Wyler higher than John Ford because movies like Ben-Hur and Friendly Persuation are better than historically inaccurate anti-white garbage like Ford's Cheyenne Autumn.
However, I do include Ford on the list because much of his work in the 30s, 40s and 50s was excellent.
Although there are exceptions like Wyler and Curtiz who didn't seem to have an agenda to undermine western values, there are many Jewish directors and screenwriters who have clearly had an anti-white agenda.
Some like Stanley Kubrick have been technically very good directors, but the degradation of Europeans/white people comes through in all their work (in Stephen King's book The Shining the lead character was a decent family man who went insane when posessed by a demon, in Kubrick's movie the Nicholson character was a cruel abusive creep).
Others are just mediocre (while still undermining white society) such as Sam Fuller (Pickup on 42nd Street, which portrayed a sleezy pickpocket as being smarter than the FBI agents), or Fritz Lang (who in M portrayed the police as incompetent fools while criminals were portrayed as intelligent and honorable and caught the child murderer).
Some of the Jewish directors and producers of the 60s, 70s and 80s such as Ted Post, William Friedkin, Stanley Kubrick and Michael Winner "stretched the boundaries" of what was considered acceptable. They brought movies to a new level of explicit violence and tasteless language (examples: William Friedkin in The French Connection & The Exorcist, and Stanley Kubrick in The Clockwork Orange). By the 80s through to the present, non-Jewish directors like Luc Besson (Leon: The Professional) followed their example.
It puzzles me why less competent directors such as the homosexual Roland Emmerich work on big-budget movies which end up being panned by the critics.
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